tonykwk39@gmail.com Felix Del Marle ( 1889 in Pont-sur-Sambre in France - 1952 in Bécon-les-Bruyères in France ) was a French painter . After classical studies and artistic training at the Academy of Fine Arts in Valenciennes and the School of Fine Arts in Lille , Del Marle moved to Paris in 1912 where he met Apollinaire and Severini with whom he shared his Workshop of the rue Dutot. Close to Marinetti and Boccioni , he enthusiastically adopted the futurist precepts in 1913, exhibited at the same year at Clovis Sagot paintings that apply the principles, and publishes on July 10 in Paris-Jour Le Manifeste futuriste in Montmartre , in which he Proclaims: "IT MUST DESTROY MONTMARTRE !! In 1914 , he presented to the Salon of the Surindependants Le Port , a picture which somehow carried out the balance of his experiments futuristic. Mobilized, he published in 1916 - 1917 an antimilitarist newspaper, Tac in Tac Teuf Teuf . During the following years, Del Marle embarked on the path of social satire and protest by making numerous caricatures . Discovering the work of Kupka in 1924 , it becomes abstract and also calls itself musicalism . Just two years later, he adheres to the doctrine of Neoplasticism of Mondrian which will exercise a lasting influence on him, and he ardently defends the principles within Wanting , review vanguard Lille whose artistic director was him Entrusted in 1927 . In the same year, Del Marle went to Germany , visited the Bauhaus in Dessau and Stuttgart the city of Weissenhof . Through a period of doubt and questioning, he converted to Catholicism and, unexpectedly, returned to figurative painting in the early 1930s . In the dawn of war , he evolved into a surrealism full of symbolism . In 1945 , he returned to abstraction, participated in the creation of the Salon of New Realities of which he will be Secretary General from 1947 to the year of his death. In his compositions and reliefs of the time, Del Marle combines the orthogonal rigor of neoplasticism with a more lyrical constructivism . Beginning in 1949 , he realized his first constructions which betrayed his interest in the synthesis of the arts and the question of the integration of color in architecture . These led him to found Bloc the Space Group in 1951 , in which he worked with Servanes and in collaboration with architect Zhehrfuss to create the architectural polychromies of the Renault factories in Flins . This last point was the subject of an exhibition at the Musée de Grenoble in 2000 , while in 1996 the Musée Matisse du Cateau-Cambrésis and the Museum of Fine Arts and Lace in Calais devoted an exhibition to its polychromies In space . Assisted by Servanes and in collaboration with the architect Zhehrfuss , the architectural polychromies of the Renault factories in Flins . This last point was the subject of an exhibition at the Musée de Grenoble in 2000 , while in 1996 the Musée Matisse du Cateau-Cambrésis and the Museum of Fine Arts and Lace in Calais devoted an exhibition to its polychromies In space . Assisted by Servanes and in collaboration with the architect Zhehrfuss , the architectural polychromies of the Renault factories in Flins . This last point was the subject of an exhibition at the Musée de Grenoble in 2000 , while in 1996 the Musée Matisse du Cateau-Cambrésis and the Museum of Fine Arts and Lace in Calais devoted an exhibition to its polychromies In space . 費利克斯·德爾馬爾勒（1889桑布爾河橋村在法國 - 1952年BECON萊Bruyères酒店在法國）是法國畫家。 古典學和美術在瓦朗謝訥學院和美術學院里爾學校藝術培訓後，德爾馬爾勒移居巴黎在1912年他在那裡會見阿波利奈爾和塞韋里尼與他分享他的芸香Dutot車間。關閉馬里內蒂和波丘尼，他熱心於1913年通過了未來主義戒律，以在適用的原則克洛維斯Sagot畫同年展出，並在巴黎 - 怨婦樂Manifeste futuriste蒙馬特，他在宣發表於7月10日： “IT必須銷毀MONTMARTRE！ 1914年，他向Surindependants樂港的沙龍，這在某種程度上進行了他的實驗未來的平衡的圖像。 調動起來，他於1916年出版 - 1917年的軍國主義報紙，西塔在西塔Teuf Teuf。 在隨後的幾年中，德爾馬爾勒通過大量漫畫社會諷刺和抗議的道路進發。庫普卡發現的工作於1924年，它成為抽象的，也自稱musicalism。僅僅兩年後，他堅持蒙德里安Neoplasticism學說從而對他持久的影響力，他熱切地捍衛內婉婷的原則，審查先鋒里爾的藝術總監是他於1927年委託。 同年，德爾馬爾勒去德國，在德紹和斯圖加特城市魏森霍夫參觀了包豪斯。通過一段時間的懷疑和質疑，他皈依了天主教和，出乎意料的是，在20世紀30年代初回到具象繪畫。 在戰爭的黎明，他演變成一個完整的象徵超現實主義。 1945年，他回到抽象，參加創作新現實，而他會秘書長，從1947年到他去世一年的沙龍。在他的作品和時間浮雕，德爾馬爾勒結合neoplasticism的正交嚴格以更抒情建構。 1949年開始，他意識到這背叛了他在藝術上的合成和建築色彩的融合問題感興趣了他的第一建築。這使他發現了政團航天集團在1951年，他在與Servanes並與建築師合作Zhehrfuss工作創造Flins酒店雷諾工廠的建築polychromies。最後一點是一個展覽在格勒諾布爾博物館於2000年的主題，而在1996年，馬蒂斯博物館杜CATEAU-Cambrésis城和美術博物館和蕾絲在加專門展出其polychromies在太空中。通過Servanes並與建築師Zhehrfuss，在Flins酒店雷諾工廠的建築polychromies合作協助。最後一點是一個展覽在格勒諾布爾博物館於2000年的主題，而在1996年，馬蒂斯博物館杜CATEAU-Cambrésis城和美術博物館和蕾絲在加專門展出其polychromies在太空中。通過Servanes並與建築師Zhehrfuss，在Flins酒店雷諾工廠的建築polychromies合作協助。最後一點是一個展覽在格勒諾布爾博物館於2000年的主題，而在1996年，馬蒂斯博物館杜CATEAU-Cambrésis城和美術博物館和蕾絲在加專門展出其polychromies在太空中。

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